Monday 30 March 2015

7 Seriously Motivational Sayings

   I've been lacking inspiration lately and with exam season looming I know that like myself, all students need a little motivation to get revising. It can be difficult to know where to start planning your revision, especially when faced with some of your first exams at University or College. This is just a quick selection of some of the quotations that either inspire me to get organised or occasionally make me feel overly melodramatic,as though 'If I don't work now and do well, I'm going nowhere'. So either way these quotes make me think of the bigger picture, why I need to work and help me get my brain in gear. Coming from a wide range of different people and showing the Universal acknowledgment that hard work pays off, I hope these sayings serve you well.
1) 'The three great essentials to achieve anything worth while are : Hard work, Stick-to-itiveness, and Common Sense.' - Thomas Alva Edison, American Businessman and Inventor, Creator of the electric light bulb, the motion picture camera and the phonograph. (11/2/1847-18/10/1931)
2) 'I take pride in working very hard. You need to understand that hard work doesn't instantly pay off. My career grew gradually and taught me a lesson every step of the way.' - Tremaine Aldon Neverson a.k.a Trey Songz, American singer-songwriter, producer and actor, Nominated for 3 Grammy Awards, Released 6 successful albums since 2005. (28/11/1984-Present)
3) 'It's fine to celebrate success but it is more important to heed the lessons of failure.' - William Henry 'Bill' Gates, Entrepreneur and Computer Programmer. Co-founder of Microsoft, Wealthiest man in the world 1995-2014 (28/10/1955- Present)
4) 'I don't pity any man who does hard work worth doing. I admire him. I pity the creature who does not work, at whichever end of the social scale he may regard himself as being.' - Theodore Roosevelt Jr, 26th President of the United States, Politician, Author and Historian. (27/10/1858-6/01/1919) 
5) I know the sun will rise in the morning, that there is a light at the end of every tunnel.' - Michael Morpurgo OBE, Poet, playwright and author. Children's Laureate: 2003-2005. (5/10/1943-Present)
6) 'Just believe in yourself. Even if you don't, pretend that you do and, at some point, you will.' - Venus Ebony Starr Williams, Professional Tennis Player, Former World No.1, 5 time Wimbledon Singles Champion, 5 times Wimbledon Doubles Champion and winner of 4 Olympic Gold Medals. (17/06/1980)
7) 'I think that anything that you do, any accomplishment that you make, you have to work for...It's not just a cliche.' - Cameron Michelle Diaz, Actress & Model, Four Golden Globe Nominations, Won New York Film Critics Circle award for Best Actress. (30/08/1972-Present) 
Good luck with whatever you need motivation for and I hope at least one of these quotes resonates with you and here's an additional quote, just because I feel like it!
'Nothing is impossible, the word itself says 'I'm possible'! - Audrey Hepburn
J x

Monday 16 March 2015

Film Review: Hamlet (1996)

Hello stranger,
I know this film is nearly 20 years old and already has plenty reviews but it's a piece of Uni coursework that I've had to do, so I thought I might edit it a bit and post it here. Just in case there is any other poor English student out there in need of a rough guide or inspiration, not that it's any good!

                                                                 Hamlet
  The story of Hamlet is one of the most well know tragedies in the English speaking world and perhaps the most well known film version of this play,  is the 1996 edition produced by Colombia Pictures. Written, directed by and starring Kenneth Branagh as the title protagonist, this film is recognised for its strict adherence to the original plot of Shakespeare’s masterpiece. Unlike other screen versions, this film excels in its attention to detail and precise scripting. It is the first unabridged theatrical film version of one of Shakespeare’s most noted works and as a result its running length is just over four hours. It is arguably one of the best screen adaptations of Hamlet, as it builds upon the standards set by previous versions in terms of cast, technology and presentation.
  Prior to Branagh’s adaptation the longest film version was the production of Hamlet in 1980, with Derek Jacobi in the title role. Coincidentally, Jacobi returns in the 1996 production not as the protagonist but instead as a suitably venomous Claudius. Branagh’s Hamlet received four academy award nominations, demonstrating its powerful hold over audiences. Furthermore the film features an impressive cast; including a young Kate Winslet as the beautifully despairing Ophelia, Julie Christie as Gertrude, Richard Briers as Polonius and Robin Williams as Osric, who provides a brief yet veritable moment of comic relief and familiarity. Each character is strongly presented, but not so overwhelmingly that any could over power Branagh’s desperately mad Hamlet.
  It is difficult to compare this film to other productions of the same play, except maybe the previous one, as the technological advancements were profound and allowed Branagh to create a much more realistically corrupt Denmark. Additionally earlier productions, such as the 1948 portrayal of Hamlet by Laurence Olivier, seem much less dramatically coherent purely because Olivier was expected to tell the same story as Branagh in less than half the time. Unfortunately, due to the problem of timing Olivier’s film omits the minor, yet crucial characters of Rosencrantz and Guildenstern. In contrast Branagh’s account of the play is commendably accurate, including every single line of the original play for authenticity. Crucially, unlike other adaptations Branagh places emphasis on the fact that the tragic nature of the play is not intended to just show Hamlet’s personal tragedy, but also to demonstrate the disorder in the country of Denmark. Contextually, the play Hamlet is very representative of Elizabethan England at the time it was written, as the disorder plaguing the country and lack of stability echoes the uncertainty which followed the death of the ‘Virgin Queen’.
  One of the best things about Branagh’s adaptation of Hamlet when compared to others is the way the setting is updated to the 19th century. The change in setting makes this film much more recognisable, as it is removed from our lives and yet not so much so that the decor and costumes lose their interest. Furthermore, the extravagant costumes are much more at home in a later setting, as they echo the grandeur of the recent past, although admittedly are occasionally distracting. The fact that the plays setting can be changed in such a way proves that Shakespeare’s plays are truly timeless. 
  One of the film’s strongest points is its awe inspiring ‘lavish colour’[6] and set design, which simultaneously dazzles audiences as well as providing a suitably dramatic back drop. Branagh’s changing of the setting of Hamlet to the late 19th century allows for a much wider use of colour and rich visuals, which combine with the drama of the plot itself to create a truly dynamic and enthralling film. The most prominent example of Branagh’s impeccable use of set design to exemplify emotional meaning is during the ‘to be or not to be’[7] speech. The speech is delivered in a    hallway of mirrors in Elsinore Castle,alluding to the ever present theme of appearance and reality in the play. The mirrors themselves serve as a visual metaphor in this case and this is why the famous soliloquy is delivered directly to one of the mirrors, while being secretly watched by Claudius and Polonius. 
  Overall Kenneth Branagh’s production and representation of Hamlet are arguably two of his most notable achievements, having created a gripping and enthralling experience. This screen adaptation finds its strength over others in its incredible accuracy, and its beautiful presentation in terms of cinematography, costume and set design. The duration of this film allows the character of Hamlet to be explored in full by Branagh, who does so impeccably. Branagh’s impressive performance creates a character that does not need explaining, because he is able to ‘live, breath, feel and die.’[8]
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[6] Guntner, J, Lawrence, ‘Hamlet, Macbeth and King Lear on Film’, The Cambridge Companion to Shakespeare on Film, (2000)
[7] Shakespeare, William, ‘Hamlet’, ed Cedric Watts, Wordsworth Editions, 5. May. 1992,  (3.1.56)
[8] Macer, Cary M, ‘Cut! Cut!’ : http://www.english.upenn.edu/~cmazer/hamfilm.html